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第十蓝调告别西贡5.0
类型：动作片 集数：高清年份：1975别名：第十蓝调告别西贡|Number 10 Blues Goodbye Saigon
简介：1975年2月、南ベトナム--。日本人商社員・杉本俊夫は、テト(旧正月)でにぎわうサイゴンの町で、祖国を遠く離れた勝手気ままな生活を思う存分楽しんでいた。だが、ある日、杉本は殺人事件を起こしてしまった。ふとした偶然から、現地雇いのベトナム人・フンを殺してしまったのだ。金と力にまかせて自由気ままに他国で振るまっていたこの一人の日本人は、一転して殺人者となってしまった。逃亡者としての杉本に、ベトナムの大地がたちはだかっていた。絶望的な逃亡と、さらに重ねた殺人の末に、杉本は、彼の友人の太田の車を奪い、ベトナムからの脱出を試みた。北端の町・ユエから、徴兵を嫌って国外へ逃亡する若者たちのための密航船が出港する。その密航船に乗り込むのだ。同行するのは、杉本に献身的な愛を捧げるベトナム人女性・ランと、ベトナム人と日本人の混血の若者・タローである。タローは、かつて自分と母親を捨て、単身、故郷・日本へ帰ってしまった旧日本兵の父親に激しい愛憎の炎を燃やし、父親殺しの旅を夢みていたのだった。折しも、解放戦線の大攻勢が開始され、ベトナム全土には苛烈な戦火が渦まいていた。銃声や砲声が轟く戦場に、まるで、捨身の突撃をする如く、杉本の車は一路北へ向かった……。
类型：剧情片 集数：高清年份：0别名：DumbType:Memorandum
简介：Dumb Type is a group of artists from various fields such as dance, music, visual art and architecture. They reprenset a new scope of contemporary art, which is difficult to categorise, and they draw on today's most advanced techniques. Though they are based in Kyoto, a city steeped in Japanese traditions, they mostly perform overseas. Memorandum textually is figured around the interfacing of memory and memos: it is not ‘past but present’, but rather an eventful simultaneity that fuses the temporal distinctions between that which is before and that which befalls. High-spectacle definitely reigns in Memorandum but it does so less on a planar axis of scale and frame, and more through the non-linear verticality of audiovision, where sound, image and event are conjoined for experiential impact. Sound editing was made by Ryoji Ikeda, close friend of Carsten Nicolai . and the same titled CD "Memorandum" is available on CCI Recordings. Premiere Performance: Maubeuge, France
Memorandum6.0
类型：剧情片 集数：高清年份：2000别名：Memorandum
简介：Dumb Type is a group of artists from various fields such as dance, music, visual art and architecture. They reprenset a new scope of contemporary art, which is difficult to categorise, and they draw on today's most advanced techniques. Though they are based in Kyoto, a city steeped in Japanese traditions, they mostly perform overseas.Memorandum textually is figured around the interfacing of memory and memos: it is not ‘past but present’, but rather an eventful simultaneity that fuses the temporal distinctions between that which is before and that which befalls. High-spectacle definitely reigns in Memorandum but it does so less on a planar axis of scale and frame, and more through the non-linear verticality of audiovision, where sound, image and event are conjoined for experiential impact.Sound editing was made by Ryoji Ikeda, close friend of Carsten Nicolai . and the same titled CD "Memorandum" is available on CCI Recordings.Premiere Performance: Maubeuge, France