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类型：纪录片 集数：工会组织看电影的请示年份：2026别名：Macron-Merz:danslescoulissesdupouvoirSeason1
简介：第二次世界大战后80年，法德友谊蓬勃发展。这部纪录片聚焦于埃马纽埃尔·马克龙（Emmanuel Macron）和弗里德里希·梅尔茨（Friedrich Merz）这对年轻、亲密但已经充满冲突的“夫妇”。
要或不要9.0
类型：剧情片 集数：已完结年份：2018别名：要或不要|单身奶爸
简介：在一个昏昏欲睡的星期六早晨，三十岁的建筑工人埃里克接到了一个惊人的消息：他已经有六个月没见过的前女友莫妮卡即将生下他们的孩子。 然而，莫妮卡并没有准备好做一个母亲，你也就意味着，如果埃里克也不愿意要这个孩子，那么新生的女婴将会被送到收养机构，这个可怜的孩子会在收养机构里度过怎样的日子，我们谁也不知道。在这个节骨眼上，埃里克面临着一个艰难的抉择，他究竟应该肩负起为人父的责任，接纳这个小婴儿，还是应该遵循自己内心里对于自由的渴望呢？
我自己的爱达荷5.0
类型：爱情片 集数：高清年份：1991别名：我自己的爱达荷|不羁的天空
简介：麦克和斯考特同为沦落街头的男妓，然而因为相差巨大的家庭背景，“同为天涯沦落人”的他们并非表面般“心照不宣”。 时常昏厥的麦克脑海中一直充满着有关童年的破碎片段，爱达荷的诗意田园也常常入他梦境，他一心想找回失散多年的母亲，将斯考特视为知己和爱人。斯考特本是波特兰市长的儿子，“自甘堕落”只为体会放荡青春的快感，他清楚地知道，虽然现在陪着麦克一路从波特兰到西雅图，又从爱达荷到意大利，麦克却成不了他最终的温暖归宿，他能回归的，是权势、荣华与姑娘。
死刑1.0
类型：战争片 集数：高清年份：1976别名：死刑|Coupdegrâce
简介：本片出自德国新浪潮电影代表人物之一，《铁皮鼓》导演沃尔克·施隆多夫之手，是一部向法国著名导演让·梅尔维尔致敬的经典作品。影片描写第一次世界大战期间，高贵的索菲女伯爵爱上了一位普通士兵，但动荡的时代，因为这段恋情却给两人带来了可怕的灾难，影片悲伤而凄凉，是导演沃尔克·施隆多夫除《铁皮鼓》以外，最被人认同的大师作品……
类型：纪录片 集数：高清年份：1998别名：超越极端的暴力：Merzbow的不安聆听|噪音狂人：秋田昌美
简介：Masami Akita aka Merzbow is one of the most prolific “noisicians” in the Harsh Noise genre, with over 300 releases since 1979 that range from 5 cassette sets packaged inside VHS boxes and limited edition CD-R’s to the 50 CD Merzbox and the ULTRA-limited edition of Noise Embryo that comes packaged inside a Mercedes. Merzbow takes his name from Dada anti-artist Kurt Schwitters and his house-sized installation, Merzbau. Aside from creating his symphonies of cacophony Masami Akita has also written books and articles on extreme culture and Sadomasochism, lends his services as a freelance writer to a variety of pornography magazines and has directed \/ acted as consultant on various Harakiri and Kinbaku fetish films. He also scored the film Deadman 2 for the director of this documentary, Ian Kerkhof . Over the years I have managed to amass a fair amount of Merzbow’s output, but I have never really known much about the man himself, other than the fact that he digs bondage and animal rights. So when I discovered Ian Kerkhof director of the brilliant Tokyo Elegy and Nice to Meet You, Please Don’t Rape Me!, had made a documentary on this Japanese enigma, I had to find and view it immediately. The opening 20 minutes or so of the film is basically footage of Masami hanging out with some pigeons, walking the streets of Tokyo, puttering around with his electronics, etc. with some dated visual effects superimposed on top of it while a sample of his dissonance throbs on the soundtrack. Then he begins to speak about how he got into the noise scene in the late 70s\/early 80s , how as a youth he wanted to make music “so dreadful to listen to that it wouldn’t be considered music”, and his obsession with collecting various everyday sounds and incorporating them into his work. As the documentary progresses it is clear Mr. Kerkhof is attempting to translate the ideas of Masami and his heroes, the Dadaists to the film medium; the flow is relentlessly interrupted by cuts, splices, inserts, samples and seizure-inducing strobes making it somewhat of a task to endure , which I’m sure is what he had in mind. Although for me the segments where these disruptions are kept to a minimum as Masami enlightens us on his inspirations and fixations were the most intriguing. Throughout the films runtime The Merz waxes philosophical on such subjects as pre and post-WWII pornography, Japan’s uniform fetish, the national significance of Sepukku \/ Harakiri and the distinction between the two , Bataille’s concepts of eroticism, Gothic architecture and much more. We also are treated to some live performances where he rocks his bizarro noise machine-cum-guitar contraption and some excerpts from his Harakiri fetish film Lost Paradise, over which he explains that in certain archaic religious ceremonies, to testify their utter devotion, women would offer up their entrails to the gods. Around halfway through the duration Masami pronounces my favourite quote of his: “If music was sex, Merzbow would be pornography” - for me, that pretty much sums up his work in a nutshell.
死刑19762.0
类型：剧情片 集数：已完结年份：1976别名：死刑1976
简介：本片出自德国新浪潮电影代表人物之一，《铁皮鼓》导演沃尔克·施隆多夫之手，是一部向法国著名导演让·梅尔维尔致敬的经典作品。影片描写第一次世界大战期间，高贵的索菲女伯爵爱上了一位普通士兵，但动荡的时代，因为这段恋情却给两人带来了可怕的灾难，影片悲伤而凄凉，是导演沃尔克·施隆多夫除《铁皮鼓》以外，最被人认同的大师作品……
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