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类型：纪录片集数：高清年份：2008别名：Titãs-AVidaAtéPareceumaFesta|Life Even Looks Like a Party

简介：Titãs - A Vida Até Parece Uma Festa (lit. Titãs - Life Even Looks Like a Party) is a 2008 documentary featuring the career of the Brazilian rock band Titãs since its beginning. The documentary features the tapes recorded by Branco Mello when he earned his VHS camera in the early 1980s. The album was awarded the 2009 VMB Award of Musical Movie\/Documentary of the Year.

四个朋友8.0

类型：喜剧片集数：高清年份：1981别名：四个朋友|梦醒情真

简介：This story of four working-class kids in a small industrial town--who go their separate ways after high school in the innocence of 1961 and come together again at the end of the turbulent Sixties--is as much about the coming of age of America as it is about the changes the characters go through. The four moxia.cc friends of the title are thoughtful Danilo, a Yugoslavian immigrant with dreams of being a writer and a scholar; Tom, good-looking and athletic, who is bound for the army; cautious David who has mixed feelings about staying in town and joining the family mortuary business; and lovely, ditzy, exasperating Georgia, who tries to inspire all of them with her longings for a life of Bohemian adventure. It is told through the eyes of Danilo, whose story is loosely based on the writer Tesich's own life growing up in Bloomington, Indiana.

盲女惊魂1.0

类型：恐怖片集数：高清年份：2001别名：盲女惊魂

简介：

欧洲的某个地方10.0

类型：剧情片集数：已完结年份：1948别名：欧洲的某个地方|SomewhereinEurope

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes fo... 　　Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. 　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. 　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. 　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

是谁来敲门4.0

类型：恐怖片集数：高清年份：2019别名：是谁来敲门|Captives

简介：When Fuchs starts his new job as a teacher in a prison school, replacing the old and unconventional teacher Berger against her will, he is forced to confront his biggest fear, triggered by the mysterious, withdrawn inmate Samira.

自由战士6.0

类型：欧美剧集数：4集全年份：1977别名：自由战士|SoldatySvobody

简介：

九月的早晨8.0

类型：海外剧集数：5集全年份：2021别名：九月的早晨|SeptemberMornings

简介：The journey of a trans woman who leaves her hometown and doesn't compromise her goal to be a free and independent woman.

自由落体1.0

类型：喜剧片集数：已完结年份：2014别名：自由落体

简介：自殺不成的老婦人，屢次從頂樓一躍而下卻無法如願以償，只好再次跛腳步上公寓頂樓。每經過一層樓，便經過一段光怪陸離。七層樓，七種人生樣貌，詭異至極、毫無邏輯，以黑色幽默之姿一窺當代生活，笑看人性的虛偽及庸俗，笑到最後卻忍不住心底發毛。　　匈牙利導演喬治帕爾菲二○○二年初試啼聲，便以處女作《田園風光》一炮而紅。其後的《百年癲狂》更顯瘋狂不羈，在坎城引發熱議。擅於揉合奇想與創意，以魔幻寫實著稱的喬治帕爾菲，新作《公寓瘋光》影像同樣奇幻詭譎，戲劇調度與剪輯美學更貼近夢境囈語。從喜劇、科幻到神話，從歡笑、驚悚到恐懼，在風格迥異的七部短片裡，導演也展現其對不同類型的遊刃有餘。

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