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裸夜淫魔1.0
类型：动作片 集数：高清年份：1994别名：裸夜淫魔
简介：何华是有名作家，因为好奇在中国城买了一个装有未出生动物畸形尸体的泡叶瓶，回家后就连续发生许多怪事。何华的经纪人马瑞因为嗜赌负债累累，于是逼迫何华尽速将小说完成以便出书赚钱，他甚至以进度落后就为由派遣美艳的卡洛充当何华换女秘书，何华在卡洛的诱惑下和她发生关系。
相爱相杀两姐妹1.0
类型：喜剧片 集数：高清年份：2023别名：相爱相杀两姐妹|ThankYou,I'mSorry
简介：处于孕晚期的莎拉突然孑然一身。她关系疏远的姐姐琳达的到来成为了她意想不到的生命线。
红花之歌4.0
类型：剧情片 集数：已完结年份：1919别名：红花之歌
简介：“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
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